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Akea Brionne Brown: On Domestic Life
©Akea Brionne Brown, from Black Picket Fences
While a photograph inherently references the past, intentionally making images that reflect one’s own history can be a complicated affair.
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Jenia Fridlyand: On Domestic Life
©Jenia Fridlyand, from Entrance to our Valley
At its opening, Jenia Fridlyand’s monograph, Entrance to Our Valley, shows a world just before waking.
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Focus on Installation: Jenny Fine
©Jenny Fine, Grandmother Fine (2006)
Jenny Fine’s work speaks with a vulnerability and lushness steeped deep in the chronicles of her personal family history.
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Carine Wallauer: When the Heart is a Lonely Hunter
©Carine Wallauer, “When the Heart is a Lonely Hunter”, 2018
Carine Wallauer is a director, cinematographer, and photographer, who combines different formats, techniques, and
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Cig Harvey: Blue Violet
In 2019, I was fortunate enough to find myself in Maine, during Cig Harvey’s Eating Flowers: Sensations of Cig Harvey exhibition at the Ogunquit Museum of American Art .
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Michael Grant: Do You Want to Dance?
©Michael Grant, Connie, June 1957
To me, the archive is a complex site. Archives can reveal or hide, be hoarded or shared, harm or do good, tell the truth or a lie.
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Focus on Appropriation: Deepanjan Mukhopadhyay
©Deepanjan Mukhopadhyay, khamenei.
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Wendel White: Storytellers
©Wendel White, from Red Summer
How we experience an image has largely to do with light, tonality, and composition.
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Sandy Carson: Passing Place
©Sandy Carson, Passing Place
Photographer Sandy Carson considers the legacy of memory, loss, and home in his new monograph, Passing Place, published by Yoffy Press.
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Publisher’s Spotlight: Ice Fog Press
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The 2020 Favorite Photo Exhibition, Part 2
©Kim Wasson Eagan, Transference, Fort Worth, TX IG @kimwassoneagan
©Dmitriy Kochergin, Buttercups, Chelyabinsk, Russia
©Kevin Hoth, Limonium Sinuatum 01, Boulder, CO
©Gail Samuels
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The 2020 Favorite Photo Exhibition, Part 3
©Jon Feinstein, The Sun as the Moon, from the series True North.
Fine Art Photography Daily
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Photography Educator: Juan Orrantia December 19th, 2025
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Aaron Rothman: The Sierra December 18th, 2025
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The Female Gaze: Alysia Macaulay – Forms Uniquely Her Own December 17th, 2025
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Gadisse Lee: Self-Portraits December 16th, 2025
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Eli Durst: The Children’s Melody December 15th, 2025
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Martin Stranka: All My Strangers December 14th, 2025
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Overshoot #9: Liz Miller Kovacs December 13th, 2025
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Scott Offen: Grace December 12th, 2025
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Izabella Demavlys: Without A Face | Richards Family Prize December 11th, 2025
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The Family Album of Ralph Eugene Meatyard at the High Museum December 10th, 2025
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Paccarik Orue: El Muqui December 9th, 2025
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Kinga Owczennikow: Framing the World December 7th, 2025
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Richard Renaldi: Billions Served December 6th, 2025
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Ellen Harasimowicz and Linda Hoffman: In the Orchard December 5th, 2025
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Lauri Gaffin: Moving Still: A Cinematic Life Frame-by-Frame December 4th, 2025
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Elisabeth Nordeng Aanes: Ashes to Ashes December 3rd, 2025
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Ragne Kristine Sigmond: Portraits of Painterly Light December 2nd, 2025
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Mary Pat Reeve: Illuminating the Night December 1st, 2025
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Dani Tranchesi: Ordinary Miracles November 30th, 2025
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Salua Ares: Absense as Form November 29th, 2025
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Ricardo Miguel Hernández: When the memory turns to dust and Beyond Pain November 28th, 2025
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2025 What I’m Thankful For Exhibition November 27th, 2025
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2025 What I’m Thankful For Exhibition: Part 2 November 27th, 2025
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2025 What I’m Thankful For Exhibition: Part 3 November 27th, 2025
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2025 What I’m Thankful For Exhibition: Part 4 November 27th, 2025
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Pamela Landau Connolly: Columbus Drive November 26th, 2025
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Linda Foard Roberts: Lament November 25th, 2025
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Arnold Newman Prize: C. Rose Smith: Scenes of Self: Redressing Patriarchy November 24th, 2025
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Spotlight on the Photographic Arts Council Los Angeles November 23rd, 2025
