-
Kay Lynn Deveney: All You Can Lose is Your Heart
I first met KayLynn Deveney at Review Santa Fe many years ago.
-
Horia Manolache: The Prince and the Pauper
©Horia Manolache
Long ago, during my early years in New York, Esquire Magazine created a make-over feature about homeless alcoholics.
-
Alphabet: Debbie Fleming Caffery
© Debbie Fleming Caffery
Debbie Fleming Caffery is internationally renowned for her work in documentary photography and as a photography teacher.
-
Jerry Siegel: States Project: Alabama
©Jerry Siegel
Today, I am excited to share Jerry Siegel‘s images of the Black Belt region in Alabama.
-
Roger Ballen and Didi Bozzini: The House Project
©The House Project book cover, courtesyRoger Ballen
“The mind is like a house and the house is like the mind.
-
Lori Pond: Menace
©Lori Pond
The animal world survives without weaponry, using posture, glare, and teeth to exhibit power–the idea of creating intimidation and instilling fear is one that Lori Pond e
-
Matjaz Krivic: Urbanistan
©Matjaz Krivic
Matjaz Krivic’s project, Urbanistan, is a global melange of moments, often the in-between times of contemplation, reflection, or simply, rest.
-
Matthew O’Brien: No Dar Papaya
©MattO’Brien, San Andrés, 2005
Many of us have a vision of Colombia, and it’s not necessarily a positive one.
-
Jeff Rich: States Project: Iowa
©Jeff Rich, Cattanooga Overlook, Because of constant flooding during the 19th and early 20th century, the TVA created a system of dams and reservoirs to protect the cities of The Tennessee
-
Neal Rantoul: Monsters
©Neal Rantoul, Dorothy
Photographer Neal Rantoul has taken his work into a new direction, exploring the world of costumes and make-believe with his most recent project Monsters.
-
Sarah Christianson: When the Landscape is Quiet Again: North Dakota’s Oil Boom
©Sarah Christianson, Flaring near the Blue Buttes, January 2015, from the series “When the Landscape is Quiet Again: North Dakota’s Oil Boom”
Photographer Sarah Christia
-
Eyakem Gulilat: Mother’s Prayer
©Eyakem Gulilat
I have been following Eyakem Gulilat’s work for a number of years, sharing it in my classes, and appreciating his use of photography to examine and consider who he i
- Home
- Explore
- Features
- Resources
- Submit
- Shop
- Home
- Explore
- Features
- Resources
- Submit
- Shop
