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Jeff Smudde: Perennial
©Jeff Smudde
This week, we will be exploring projects inspired by place. Today, we’ll be looking at Jeff Smudde’s series Perennial.
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Briana Earl: Developing My Archive: On Being
©Briana Earl, First in Flight
This week, we will be exploring projects inspired by place. Today, we’ll be looking at Briana Earl’s series Developing my Archive: On Being.
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Allen Morris: The Same Dirt + Silent Sentinels
©Allen Morris, all for our, Archival Pigment Print, 2020, from The Same Dirt
This week, we will be exploring projects inspired by place.
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Evan Benally Atwood: Black Hills
©Evan Benally Atwood, Black Hills
This week, we will be exploring projects inspired by place. Today, we’ll be looking at Evan Benally Atwood’s series Black Hills.
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Anna Reich: This Land
©Anna Reich, Residents at McCrossan Boys Ranch, Sioux Falls, South Dakota, from This Land
This week, we will be exploring projects inspired by place.
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Angela Franks Wells: Copper Mine
©Angela Franks Wells, Bars
This week, we will be exploring projects inspired by place. Today, we’ll be looking at Angela Franks Wells’ series The Copper Mine.
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Ryan Arthurs in Conversation with Douglas Breault
©Ryan Arthurs, from the series “Strata”
Ryan Arthurs is an artist and gallerist from Buffalo, NY who understands the potential for photographs to capture the sensitivity and e
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Mitchell Squire in Conversation with Douglas Breault
©Mitchell Squire, 2022
Mitchell Squire does not shy away from looking you dead in the eye.
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Letitia Huckaby: Bitter Waters Sweet
©Letitia Huckaby, Ms. Joycelyn, Pigment Print on Fabric with Embroidery, 71” x 41”, 2022
This week, we will be exploring projects that use the found photograph.
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Dillon Bryant: From There to Here and Never Back Again
©Dillon Bryant, Mythos, Scanned collage made from found and taken images, family album cover, 2022
This week, we will be exploring projects that use the found photograph.
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Jesse Rieser: Souvenirs from Paradise
©Jesse Reiser, Souvenirs from Paradise Exhibition
For his exhibition titled Souvenirs From Paradise, Jesse intertwines divergent narratives from his works A Vanishing America Folklore and
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Gary Burnley: In the Language of My Captor
©Gary Burnley, Aunt Hagar’s Children #1, Courtesy of the Elizabeth Houston Gallery
The tradition of portraiture comes with it an obvious conceit–the subjects and their artists
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