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Andy Mattern: Ghost
©Andy Mattern
Lenscratch recently held its annual(-ish) call-for-projects, and the response was impressive. In total, there were over 500 submissions.
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David Ellingsen: Days of Plenty: an Archive of Abundance
©David Ellingsen, An Audience 2024 Digital collage. Pigment ink on cotton rag paper, mounted and hand-cut to shape, with gold edging, 20×16 inches.
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Yukimi Akiba: Timeless Knot
©Yukimi Akiba, Dignity, N°43, 2022
Sometimes you come across an Instagram post seen in endless scrolling and it stops you in your tracks.
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Jean Sousa: The Alice Project
©Jean Sousa
For the next few days, we will be looking at the work of artists who submitted projects during our most recent call-for-submissions.
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Joe Rudko: Untitled Colors at the Von Lintel Gallery
©Joe Rudko, Orange, from Untitled Colors, Found photographs on paper, 50.5 x 38.
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Focus on Vernacular: Daisy Patton
©Daisy Patton, Untitled (Dear half 5-4-1927)*, 2021, 80×60”
When personal snapshots are lost or abandoned by their owners, the memories they represent are lost with them.
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Focus on Vernacular: The Anonymous Project
©Courtesy of the Anonymous Project
We recently talked with Lee Shulman, Film director, Founder and Curator of The Anonymous Project.
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Focus on Vernacular: The Unperson Project
©The Unperson Project, Vaporized by Susana Moyaho, 2021
Most collections of vernacular photographs are archives of memory, visual reminders of the people, places, or events they depict.
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The Artist Intervenes: Ricardo Miguel Hernández
©Ricardo Miguel Hernandez, from When the memory turns to dust
What does it mean to be an archaeologist of imagery? Through utilizing found images to construct photographic collages, Hava
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