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Helen Glazer: Walking in Antarctica
©Helen Glazer, Fractal Arch, Erebus Ice Tongue Cave 26.75 x 40 inches The Erebus ice tongue is the end of a glacier that extends onto the sea ice on McMurdo Sound.
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Charlotte Schmid-Maybach: Altered Landscapes
©Charlotte Schmid-Maybach, Stories in the Winter Woods, 2022, 70″ x 55″ Sewn archival pigment prints on kozo paper, thread, found object, iridescent paint, lace, buttons.
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Ella Morton: The Dissolving Landscape
©Ella Morton, Tilting Storm
Mordançage is a photographic darkroom process that combines the potential for destruction into spectacular, one-of-a-kind photographs. -
Caleb Stein: Down by the Hudson at the Rose Gallery
©Caleb Stein, Braily
I first wrote about Caleb Stein’s project, Down by the Hudson, in 2017:
When I look at the photographs taken by Caleb Stein it’s hard to wrap my mind around the -
Photographers on Photographers: Emily Wall in Conversation with Victoria Sambunaris
©Victoria Sambunaris, Untitled, (Bingham Copper Mine) Bingham Canyon, Utah 2002 Chromogenic print
I first saw Victoria Sambunaris’ work at the Museum of Art at Brigham Young University d -
Photographers on Photographers: Alayna N. Pernell in Conversation with Allison Grant
© Allison Grant, Long Summer Shadows, 2019
This month we feature our annual Photographers on Photographers interview series. -
Manuel Cosentino: The Fourth Kind of Madness
@Manuel Cosentino, The Fourth Kind of Madness (L), undated. Courtesy of the artist and Klompching Gallery, New York
Manuel Cosentino (b.1980) is an Italian artist working with photography. -
Lindsey Ross: Mushroom People
© Lindsey Ross from the series Mushroom People
Lindsey Ross is known for her monumental wet plate collodion photographs of the American West, yet with this series entitled Mushroom People, -
Richard Misrach: Notations
©Richard Misrach
Richard Misrach’s monograph Notations (Radius Books, 2022), is a collection of photographs spanning from 2006-2021. -
Making Darkness Visible: MJ Sharp
©MJ Sharp, Corwall
As a photographer who walks my city’s streets at twilight, I’m often alone. -
Making Darkness Visible: Daniel Anizon
©Daniel Anizon
As a photographer who walks my city’s streets at twilight, I’m often alone.
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- Home
- Explore
- Features
- In Focus: The MFA Review
- Educator of the Month
- The Female Gaze
- Publisher’s Spotlight
- Exhibitions
- Photographers on Photographers
- Lenscratch Student Prize Winners
- Lenscratch Art and Science Winners
- Book Talk with Caleb Cain Marcus
- Beyond the Photograph
- On Collaboration
- Mixtapes
- Content Aware
- Articles
- Interviews
- Resources
- Submit
- Shop














