International Peace Week: Brett Van Ort: Minescapes
In honor of the International Day of Peace and Peace Week, Lenscratch has partnered with the National Center for Civil and Human Rights to feature photographic projects highlighting the lasting impacts of war, conflict, and displacement. Lauren Tate Baeza, Director of Exhibitions at the National Center for Civil and Human Rights, is our guest editor.
The scenic forests, mountainsides, and meadows of Croatia, Kosovo, and Bosnia-Herzegovina possess a beauty that belies their danger. When the Balkan wars of the 1990s ended, families returned to their homesteads. As people herded animals, strolled the countryside, and harvested mushrooms and wild strawberries again, their footsteps triggered unexploded munitions buried underground. Landmines littered the landscape. Since then, particularly dangerous zones have been evacuated. Districts such as the off-limits forests ring in Sarajevo are sanctioned off, for example. However, millions of people still reside in moderately impacted areas of the region, resulting in ongoing loss of limb and life.
Brett Van Ort’s Minescape examines land-human relationships, juxtaposing the social and geographical legacies of war in Bosnia. The series suggests the most pristine landscapes are those inaccessible to humans. Free from manipulation, nature reclaims its territory and returns to idyllic preindustrial states.
Incidences of war and armed conflict have risen since the second half of the 20th century, with most occurring within nations. The most reliable indicators for war and conflict are poverty, competition for resources, inequitable distribution of wealth, and failure of governments to provide services. While internal wars are frequently attributed to ethnic and religious tensions, these differences are often merely guidelines by which people associate in fights for resources. Reducing the likelihood of war means reducing inequality and extreme poverty and curbing the illicit trade of vital resources.
Brett Van Ort was born in Washington D.C. and raised and schooled in Texas. He moved to Los Angeles, California after obtaining an undergraduate degree in film. He worked as a camera assistant and camera operator for several years on various films, documentaries, commercials and television shows. Brett soon found still photography as a more personal, creative outlet that allowed him to pursue and tell stories that he felt passionate about.
Spending his summers on the farm where his mother grew up instilled a great respect for nature in him from a young age. He has always been interested in land, the outdoors and how we as humans use the environment to both our benefit and detriment. Many of his personal projects focus on landscape and our interaction with the environment.
Whether spending time on his family’s farm or photographing, one thing remains constant – a great respect and interest in nature. Brett currently lives in Los Angeles.
Minescape
Leftover munitions and landmines from the wars in the early 1990s still litter the countryside in Bosnia and Herzegovina. I traveled there in late 2009 to photograph areas that were once the front lines of the Bosnian War. Nature temporarily reclaims that which was hers in the aftermath of a conflict. Underneath hide the landmines – random, brutal killing machines.
As an avid hiker and backpacker, raised in an American city, I have always found nature to be easily packaged, conquerable, and pleasurable to roam through and explore. The inherent fear of wilderness in all of us has subsided as we have constructed our urban environment over the past few centuries. I chose to photograph the former front lines of the Bosnian War as a way of challenging this lack of fear. When we are forced to recognize the power of nature, in the form of a natural disaster or, in this case, a man-made disaster; we feel the trepidation
our ancestors dealt with on a daily basis.
While working in the fields in Bosnia, I was told by workers from NGO Landmine Survivors Initiative not to wander into rural areas without a guide. Numerous people told me the safest place to be was on a road or on the tarmac. Fourteen years after the conflict ended, caution had to be taken with every step. As a vast majority of the mining was undocumented or known only to foot soldiers who fought in the areas, many innocent civilians continue to lose their lives. According to the Mine Action Centre for Bosnia and Herzegovina (BHMAC) just over 3.5% of the country was still contaminated by landmines in 2009. However, many of the de-miners in the field estimate roughly 10% of the country can still be deemed a landmine area. They feel that nowhere in the countryside is safe as they may clear one area but a torrential downpour may unearth and move landmines. These unearthed landmines find their way into vicinities that were deemed safe weeks, months, or even years ago. BHMAC also continues to find areas at one time considered safe that now require additional de-mining activity.
The landscapes presented in this project depict the mesmerizing beauty of a seemingly untouched landscape as well as the terrifying unknown, the danger that lies beneath the surface. This work displays the regenerative power of nature and the devastating effect that landmines inflict on a populace. Human beings have an almost insatiable appetite to expand, explore, conquer, and transform nature into civilization. Ironically, in this instance, it is a man-made killing machine that keeps the setting in its natural state.
About the National Center for Civil and Human Rights
The National Center for Civil and Human Rights is a cultural institution and advocacy organization located in downtown Atlanta, Georgia. Powerful and immersive exhibits tell the story of the American Civil Rights Movement and connect this history to modern struggles for human rights around the world. The National Center for Civil and Human Rights has the distinction of being one of the only places to permanently display the papers and artifacts of Dr. Martin Luther King, Jr. Events, educational programs, and campaign initiatives bring together communities and prominent thought leaders on rights issues. For more information, visit civilandhumanrights.org and equaldignity.org.
Join the conversation on @ctr4chr (Twitter), @@ctr4chr (Facebook), and @@ctr4chr (Instagram)
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
Recommended
-
Photography Educator: Amy JorgensenNovember 15th, 2024
-
Kari Varner: Blueprints for Slaughter and GroundworkNovember 14th, 2024
-
Desert Forest: Life with Joshua TreesNovember 5th, 2024
-
New England Portfolio Review: Ann Hermes: Local NewsroomsOctober 24th, 2024
-
Realm of the Senses – La ValiseOctober 23rd, 2024