Deborah Espinosa: Living with Conviction: Sentenced to Debt for Life in Washington State
One of the many hidden aspects of the criminal system is that, at sentencing, people are often assessed fines and surcharges. Through Deborah Espinosa’s eye-opening work, Living with Conviction: Sentenced to Debt for Life in Washington State, we see how, even after release, those fees and the accrued interest prohibit people from ever leaving their prison experiences behind and, in fact, keep them forever reminded of, and paying for, their conviction.
Deborah Espinosa is an artist and attorney, born in southern California to a Mexican father and Norwegian mother. She now lives in Seattle, Washington, combining her legal and multimedia storytelling skills to help advocate for the rights of people from poor and marginalized communities in Washington. She also works to strengthen those rights by providing legal technical assistance to state and national governments, primarily in Africa. She believes that multimedia storytelling is one of the most compelling advocacy tools for reform of unjust law.
Before launching Living with Conviction, Deborah served as staff photographer and staff attorney for the international NGO Landesa, bringing to life the organization’s mission of securing land rights for the world’s rural poor through photographs, photo essays, and short videos.
Deborah’s ongoing documentary project, Living with Conviction: Sentenced to Debt for Life in Washington State confronts how Washington has been sentencing people to not just prison but to a lifetime of debt. In partnership with formerly incarcerated individuals, the project raises awareness about and advocates for an end to courts’ imposition of fees, fines, and victim restitution on criminal defendants as part of a criminal sentence. Through photography exhibits, recorded personal narratives, and community conversations, the project exposes how this court debt – with 12% interest – perpetuates cycles of poverty and incarceration, disproportionately impacting the poor and families of color.
Living with Conviction goes beyond the polarizing headlines and statistics of mass incarceration to share stories of common humanity: stories of families torn apart by the criminal justice system; stories of addiction, mental illness, abuse, and trauma, but also stories of recovery, resilience, healing, and love.
Deborah is a member of the inaugural cohort of We, Women artists, recognizing her use of photography for community engagement and social impact. Her work has been exhibited in Seattle and San Francisco galleries and is currently in a 10-year exhibit at the Canadian Museum for Human Rights.
This summer, Living with Conviction will be part of a We, Women traveling outdoor exhibit in six states throughout the country.
Deborah is a graduate of the Rocky Mountain School of Photography, and she holds a J.D. from the University of Washington School of Law, a M.A. from the Jackson School of International Studies at the University of Washington, and a B.A. from the University of California at Berkeley. Her work is online at: www.SameSkyPhoto.com and www.LivingwithConviction.org.
Instagram: @sameskyphoto @livingwithconviction
Living with Conviction: Sentenced to Debt for Life in Washington State
Living with Conviction: Sentenced to Debt for Life in Washington State confronts how the State of Washington has been sentencing people to not just prison but to a lifetime of debt. In partnership with formerly incarcerated individuals, Living with Conviction shares the impacts of court-imposed debt, accruing 12% interest, through portraits, personal narratives, and community conversations.
“I didn’t know that I was pleading guilty to a lifetime debtor’s prison,” says Michael, a 61-year old, disabled Native American veteran. In addition to a five-year prison sentence, the court held Michael liable for legal financial obligations (“LFOs”) in the amount of $11,614 at 12% interest. Ten years later, Michael is drug-free, is primary caregiver for his 87-year old aunt, and collects a monthly veteran’s disability pension of $1,070. Since his release, Michael has consistently made $75 monthly payments, which the State has applied only to the interest accrued. As a result, today Michael owes $17,438.57 in LFOs. If he misses a payment, he can be arrested. For Michael, and the 7,500-plus individuals reentering Washington communities yearly, such debt is physically, mentally, emotionally, and financially crippling. This policy criminalizes poverty. It keeps people from low-income communities and communities of color disproportionately shackled to the criminal justice system for life.
This project goes beyond the polarizing headlines and statistics of mass incarceration to share stories of our common humanity. We share stories of families torn apart by our criminal justice system. We share stories of addiction, mental illness, abuse, and trauma, but also recovery, resilience, healing, and love.
A 2018 legal reform of LFO law in Washington was a step in the right direction but failed to provide relief for hundreds of thousands of people with LFOs, thus keeping them shackled to the criminal justice system for life.
To me, LFO policy is unconscionable.
I am an artist and attorney, born and raised in southern California to a Mexican father and Norwegian mother. I now live in Seattle, Washington, combining my legal and multimedia storytelling skills to help advocate for the rights of people from poor and marginalized communities in Washington. I also work to strengthen those rights by providing legal technical assistance to state and national governments, primarily in Africa. She believes that multimedia storytelling is one of the most compelling advocacy tools for reform of unjust law.
After spending 18 years as a public defender, Sara Bennett turned her attention to photographing women with life sentences, both inside and outside prison. Her work has been widely exhibited and featured in such publications as The New York Times, The New Yorker Photo Booth, and Variety & Rolling Stone’s “American (In)Justice.”
Like the women she photographs, Bennett hopes her work will shed light on the pointlessness of extremely long sentences and arbitrary parole denials. To bring Life After Life in Prison, The Bedroom Project, or Looking Inside to your community, please contact her. IG: @sarabennettbrooklyn
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
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