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Salua Ares: Absense as Form
©Salua Ares, Azinhaga, Tentou em vão apagar o tempo (Tried in vain to erase time), 2021 Photograph with inkjet print on Hahnemühle PhotoRag and cement-like frame
©Salua Ares, Azinhaga
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Ricardo Miguel Hernández: When the memory turns to dust and Beyond Pain
©Ricardo Miguel Hernández, Birth, from When the memory turn to dust
I appropriate myself of a found testimony that covers the twenties to the end of the last century; I archive it, class
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Pamela Landau Connolly: Columbus Drive
©Pamela Landau Connolly, Columbus Drive Overview
As we prepare for the holiday season and our Thanksgiving feasts tomorrow, we will be scrambling to find a few potholders to lift our tur
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KELIY ANDERSON-STALEY: Wilderness No longer at the Edge of Things
© Keliy Anderson-Staley, Maine Mountains, 2022, cyanotype on notebook paper, 8.
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Jackie Mulder: Thought Trails
© Jackie Mulder
Jackie Mulder’s first book Thought Trails, unfolds like a path, winding through textiles, beeswax, and embroidery that transgress a constructed image.
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Bill Armstrong: All A Blur: Photographs from the Infinity Series
© Bill Armstrong, All a Blur, Cover
Bill Armstrong’s new monograph All a Blur presents 25 years of work from his luminous Infinity series.
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Interview with Maja Daniels: Gertrud, Natural Phenomena, and Alternative Timelines
© Maja Daniels
“In 1667, a 12-year-old girl, Gertrud Svensdotter, was accused of walking on water in Älvdalen, Sweden.
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Josh Aronson: Florida Boys
Josh Aronson, Liferaft, 2025, archival pigment print, © Josh Aronson
Josh Aronson has a new project, Florida Boys, that reconsiders what masculinity looks like in today’s culture.
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The Female Gaze: Lara Gilks – Just Outside the Frame
©Lara Gilks: Crossroads from the series To Dust (2024; pigment print from digital imagery; right image made with a Diana lens.
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Accidental Evidence: Mike Mandel and Chantal Zakari
Page detail from Accidental Evidence by Mike Mandel and Chantal Zakari
Many photographers and photo historians are familiar with the groundbreaking book Evidence, initially released in 197
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MG Vander Elst: Silences
©MG Vander Elst, When I was six years old, from Silences, Mixed Media hand collage
As artists and photographers, we are drawn to our own family photographs in a profound way.
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Robert Rauschenberg at Gemini G.E.L
©Robert Rauschenberg, Booster, 1967, 4 color lithograph/silkscreen, 72″ x 335 1/2″
A few weeks ago, I had the wonderful opportunity to have a preview of the exhibition, Robert





















