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In Memoriam: Wayne Swanson: From the Workshop
©Wayne Swanson, From the Workshop
A number of years ago, a tall, quietly intelligent artist entered my classroom, driving to Los Angeles from San Diego each week to understand the photogr
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Mournful Cuts: The Political Collages of Amanda Sotelo Silva
©Artilugios y Conjeturas, 11 de Septiembre (September 11th), collage. All images courtesy the artist.
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Katie Shapiro: The Shadow
©Katie Shapiro, from The Shadow
Over the past few years, I have been observing how artists expand the viewing experience by incorporating framing materials into the final product.
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THE CENTER AWARDS: EXCELLENCE IN MULTIMEDIA STORYTELLING AWARD: ROBERT PLUMA
© Robert Pluma, My grandfather, Victor Vallejo Guerrero (81 at the time), demonstrating how he would climb to the tops of the walls at Mission San José as a child.
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THE CENTER AWARDS: PROJECT LAUNCH GRANT: AUSTIN BRYANT
© Austin Bryant, Images from the series “Where They Still Remain”
Congratulations to Austin Bryant for being selected for CENTER’s Project Launch Grant recognizing his project, Whe
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Sonja Langford: The Way of Being a Woman
Fear at My Edges, © Sonja Langford
I began following Sonja Langford on Instagram when I saw her photographs of Southern churches.
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Photography & Anthropology: Gloria Oyarzabal, “USUS FRUCTUS ABUSUS”
© Gloria Oyarzabal, “USUS FRUCTUS ABUSUS”
For a few years now anthropology has been a buzzword in the photography world.
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Earth Week: Aaron Huey: Wallpaper for the End of the World
© Aaron Huey, Diesel Dusk Florals
These bodies of work are linked by this thematic lens: making the often-invisible nature of the global climate and the ecological crisis more visible usi
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Earth Week: Casey Lance Brown: Kudzilla
© Casey Lance Brown, from Kudzilla
These bodies of work are linked by this thematic lens: making the often-invisible nature of the global climate and the ecological crisis more visible us
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Tara Sellios: Ask Now the Beasts
©Tara Sellios, Abundantia (Ask Now the Beasts), 2023, 75×51 inches, inkjet print from 8×10 negative
What happens to us as we leave this life? How do our remains deteriorate and
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ALEXIS MARTINO: The Collapsing Panorama
© Alexis Martino
Alexis Martino’s ongoing series, The Collapsing Panorama, compacts the coastal landscape with her human subjects, revealing a fabled tableau, mostly photographed from a
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Emilio Rojas: On Gloria Anzaldúa’s Borderlands: The New Mestiza
© Emilio Rojas, Heridas Abiertas (to Gloria), 2014. Courtesy the artist.





















