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Makenzie Goodman: Encounters
©Makenzie Goodman, Untitled (arrival)
Last year, I saw Makenzie Goodman’s “Encounters” while she was in the process of becoming my colleague and an assistant professor at Appalachi
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Charles Shuford: Blue is For Boys
Charles Shuford, I Love a Man in Uniform, Cyanotype prints on glass plates 53 x 42 in.
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Kirsten Hoving: Fabricated Visions
©Kirsten Hoving, Ascension, digital photograph on silk organza mounted on glass over a second paper photograph.
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Gary Owens: In the Room
©Gary Owens, From the series In the Room
Last winter, I discovered Gary Owens’ work on Instagram and was intrigued by his layered depictions that remind me of the starkness of early
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Julianne Clark: After Maxine
©Julianne Clark, Portal
This week, we will be exploring projects inspired by intimacy and memory. Today, we’ll be looking at Julianne Clark’s series After Maxine.
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Josh Raftery: Start the Story at the End
©Josh Raftery, Thank You for the Company
This week, we will be exploring projects inspired by intimacy and memory.
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Katie Prock: Yesterday We Were Girls
©Katie Prock, Yesterday We Were Girls
This week, we will be exploring projects inspired by intimacy and memory.
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lydia see: Let no one say we were not here
©lydia see, Let no one say we were not here, donated images
This week, we will be exploring projects inspired by intimacy and memory. Today, we’ll be looking at work by lydia see.
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Lorraine O’Grady: The Knight, or Lancela Palm-and-Steel
©Lorraine O’Grady, Seated Palmate, 2020, Courtesy of the artist and Mariane Ibrahim
Catching the glint of Lorraine O’Grady’s eye through the grill of the heavy armor she wears a
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Maria Mavropoulou: Imagined Images
©Maria Mavropoulou, a studio portrait of a married couple, Istanbul 1930’s, from Imagined Images
“The family album is like a memory blueprint, a visual document that proves things
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Jaclyn Wright: High Visibility (Blaze Orange)
Untitled (BLM arrows, I), 2022 @Jaclyn Wright
Disruption is everywhere in Jaclyn Wright’s assemblages.





















