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Deanna Dikeman: Leaving and Waving
©Deanna Dikeman, from Leaving and waving, 3/2004
Some photo projects are organic, made for personal memory keeping or a desire to document familial events, large and small.
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Carl Corey: The Strand
©Carl Corey, 5175 • Ironwood, Michigan
In 2019, photographer Carl Corey received a Guggenheim Fellow in Photography.
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Mary Beth Meehan: Seeing Silicon Valley
©Mary Beth Meehan, Seeing Silicon Valley book cover
“For more than seven decades, business leaders, politicians, and would-be entrepreneurs have tried to unravel the secrets of Silicon
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Soren Solkaer: Black Sun
©Soren Solkaer, Black Sun #3
Søren Solkær is a Danish photographer.
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Will Harris: You Can Call Me Nana
©Will Harris, Cover of the book, You Can Call Me Nana, by Overlapse
As with all things in life, the physical reality of an object or person is truly more satisfying.
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Donna Ferrato: HOLY
©Donna Ferrato, from Holy
Holy is forged from one woman’s outrage against a woman-hating world.
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Jason Langer: Twenty Years
©Jason Langer, Elevator
“Jason seems to have absorbed the entirety of photo history, particularly the so-called “New York School”, identified by historian Jane Livngstone in her
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Beata Bartecka & Łukasz Rusznica: How to Look Natural in Photos
©Beata Bartecka and Łukasz Rusznica, How To Look Natural in Photos Cover
In How To Look Natural in Photos, a new monograph published by Palm* Studios & Ośrodek Postaw Twórczych Wro
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Maura Sullivan: Things We Remember
©Maura Sullivan, Joan of Arc, 2003, from Things We Remember
Things We Remember, a book of black and white photographs by Maura Sullivan, published by Skeleton Key Press reads like a diary
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Nick Meyer: The Local
©Nick Meyer, image from The Local (MACK, 2021).
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Cig Harvey: Blue Violet
In 2019, I was fortunate enough to find myself in Maine, during Cig Harvey’s Eating Flowers: Sensations of Cig Harvey exhibition at the Ogunquit Museum of American Art .
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Sandi Haber Fifield: The Certainty of Nothing
The Certainty of Nothing Cover
Are we ever prepared to comprehend the potential ramifications and receptions of what we make and leave behind? Global warming, rampant wildfires and defores
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- Home
- Explore
- Features
- In Focus: The MFA Review
- Educator of the Month
- The Female Gaze
- Publisher’s Spotlight
- Exhibitions
- Photographers on Photographers
- Lenscratch Student Prize Winners
- Lenscratch Art and Science Winners
- Book Talk with Caleb Cain Marcus
- Beyond the Photograph
- On Collaboration
- Mixtapes
- Content Aware
- Articles
- Interviews
- Resources
- Submit
- Shop
