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LUMINOUS VISIONS: DORA SOMOSI
© Dora Somosi, Mending Kamani
This week on Lenscratch, we look at a selection of artists creatively engaging with analog photographic processes within their practice. -
Christa Blackwood: My History of Men
©Christa Blackwood 2025
This week we explore works made by female-identifying lens-based artists who explore issues affecting contemporary women. -
Cyanotype Week: Annalise Neil
©Annalise Neil, Loophole
This week we are celebrating the artistry of five unique artists exploring the frontiers of cyanotype. -
The Dynamics of Photography and Disability: Pauly V ‘Care Before Profit: A Diabetic Perspective on Healthcare Under Capitalism’
© Pauly V., Vials (1), film photography and cyanotype on insulin fact sheets and corrugated plastic, 34 x 26 inches, framed.
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Michelle Leftheris: Time, Nature & Technology
Michelle Leftheris, Nowspace (Tre Chieli), 2024
Michelle Leftheris: Time, Nature & Technology
Over the past few weeks, I have interviewed three different photographers whom I chose becau -
Todd R. Forsgren: Photography, Ecology, and the Act of Seeing
Todd Forsgren, The World is Round, My Dream Sky in Moloka’i, 2025
Over the past few weeks, I have interviewed three different photographers whom I chose because of their work related t -
Vanessa Woods: Recast
Bloom, 2025. ©Vanessa Woods
Psychic and physical edginess permeates Vanessa Woods’ arresting work, Recast, on view at Filter Photo Chicago. -
Dean Terasaki: Veiled Inscriptions
Send Me Anything / Children’s Playground, Manzanar, California, 2023/2024. Letter appears courtesy of the T.K. Pharmacy Collection, Densho.
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Kari Varner: Monett & Sedalia
©Kari Varner Monett & Sedalia.
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Masha Weisberg: Inheriting the Silence
©Masha Weisberg “Inheriting the Silence” 2024
Masha Weisberg’s series Inhering the Silence explores the effects of war trauma, migration, and personal histories during wartime. -
Elizabeth Ransom: Homesick
Apfelsaft Schorle – Berlin, Frankfurt, Moscow, Champex, Trains – 57 days © Elizabeth Ransom
In her series Homesick, Elizabeth Ransom visualizes the experience of migrant women -
In Conversation with Marcie Scudder
Marcie Schudder in the installation of My Mother’s Garden
When my mother died, I was left with her house and her garden.
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- Home
- Explore
- Features
- In Focus: The MFA Review
- Educator of the Month
- The Female Gaze
- Publisher’s Spotlight
- Exhibitions
- Photographers on Photographers
- Lenscratch Student Prize Winners
- Lenscratch Art and Science Winners
- Book Talk with Caleb Cain Marcus
- Beyond the Photograph
- On Collaboration
- Mixtapes
- Content Aware
- Articles
- Interviews
- Resources
- Submit
- Shop
