Arnold Newman Prize: Daniella Zalcman
Daniella Zalcman is the 2017 Winner of the Arnold Newman Prize for New Directions in Photographic Portraiture. Her project, Signs of Your Identity, depicts survivors of Indian Residential Schools; each image is accompanied by a quote from the subject. This portfolio of 10 images covers victims in Canada and the United States. Zalcman is already working in Australia and plans to extend the project to various other countries that have iterations of residential schools that indigenous students were forced into. The project delves into the lasting trauma of these schools. She was recently named one of pdn’s 30.
The Arnold Newman Prize for New Directions in Photographic Portraiture was established in 2009 by the Arnold & Augusta Newman Foundation. The Prize is generously funded by the Arnold & Augusta Newman Foundation and proudly administered by Maine Media Workshops + College, where Arnold Newman taught for more than 30 years. The 2017 jurors included Philip Brookman, LaToya Ruby Frazier, and Jody Quon. Finalists were Sophie Barbasch for her project Fault Line, Daniel Coburn for his project The Hereditary Estate, and Jessica Eve Rattner for her project House of Charm.
The work I’ve shot so far over the past two years, mostly in Canada and the U.S., focuses on the impact of what it means to lose your identity. A disproportionate number of residential school survivors and their immediate family struggle with PTSD, depression, and substance abuse — and this persistent legacy of social and public health consequences needs to be documented and shared. I create multiple exposure portraits of former students still fighting to overcome the memories of their residential school experiences. These individuals are reflected in the sites where those schools once stood, in the government documents that enforced strategic assimilation, in the places where today, native people now struggle to access services that should be available to all Canadians and Americans. These are the echoes of trauma that remain even as the healing process begins.-Daniella Zalcman
Daniella Zalcman (b. 1986) is a documentary photographer based in London and New York. She is a multiple grantee of the Pulitzer Center on Crisis Reporting, a fellow with the International Women’s Media Foundation, and a member of Boreal Collective.
Her work tends to focus on the legacies of western colonization, from the rise of homophobia in East Africa to the forced assimilation education of indigenous children in North America. She won the 2016 FotoEvidence book award for her project Signs of Your Identity, which will be released this fall. She was recently named one of pdn’s 30 for 2017 and is the winner of the 2017 Arnold Newman Prize for New Directions in Photographic Portraiture.
Daniella’s work regularly appears in The Wall Street Journal, Mashable, the BBC, and CNN, among others. Her photos have been exhibited internationally, and she regularly lectures at universities and foundations. She graduated from Columbia University with a degree in architecture in 2009.
Signs of Your Identity
As Britain built an empire that would one day hold sway over a quarter of the world’s land surface, Parliament had to decide how to handle its new indigenous subjects. In an 1837 House of Commons Report, the government posited that the only way forward was imposing assimilation. In Canada, the United States, Australia, and New Zealand, various iterations of the Indian Residential School system were created — usually church-run boarding schools meant to forcibly assimilate indigenous children into Western culture. Attendance was mandatory, and Indian Agents would regularly visit aboriginal communities to take children as young as two or three from their homes. Many of them wouldn’t see their families again for the next decade, others would never reunite again. These students were punished for speaking their native languages or observing any indigenous traditions, routinely physically and sexually assaulted, and in some extreme instances subjected to medical experimentation and sterilization.
“‘You stupid Indian’ were the first English words I ever learned,” Tom Janvier told me. He was sent to Canadian residential school as a three-year-old, where he was bullied, beaten, and repeatedly sexually molested over a ten year period. “It became self-fulfilling. My identity was held against me.”
The removals continued in Australia until the 1970s. The last residential school in Canada didn’t close until 1996. The U.S. government still operates 59 Indian Boarding Schools today.
The lasting impact on these indigenous populations is immeasurable and grotesque. Thousands of children died while in the system — so many that it was common for residential schools to have their own cemeteries. In Canada, mass graves are being discovered on a near monthly basis. And those who did survive, deprived of their families and their own cultural identities, became part of a series of lost generations. Languages died out, sacred ceremonies were criminalized and suppressed. The Canadian government has officially termed the residential school system a cultural genocide.
With the help of the Arnold Newman Prize, I hope to continue this multi-stage, multi-nation project by completing the U.S. chapter of this work. My next areas of focus are the Pacific Northwest (Coast Salish), Alaska (Inuit), the Northeast (Wabanaki), Midwest (Ojibwe), and Native Hawaiians. I also have plans to extend this project to Australia, New Zealand, Norway, Greenland, Colombia, and East Africa — all places that were home to coercive assimilation education systems.
Indigenous history continues to remain a footnote in our history textbooks, and in mainstream reporting. I hope this work will recast the stories that we are used to telling our children — about Pocahontas and Sacagawea and Columbus and Thanksgiving — and highlight the brutal history of cultural genocide. – Daniella Zalcman
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The Arnold Newman Prize for New Directions in Photographic PortraitureSeptember 27th, 2020