©Norm Diamond, China Painting Palette

During this phase, I stumbled upon an estate sale in Dallas, where I live. As people die or move to assisted living facilities, their children often want to dispose of their parents’ possessions. Third- party companies come into the house, price the items, and manage the sale for a percentage of the take. At one of the first sales I visited, on the night table next to the bed, there was a photo of a man, obviously the previous owner. In the picture he is middle-aged, confidently looking at the camera, dressed in a formal white dinner jacket—the master of his domain. At the bottom of the picture was a price tag of $2.50. The poignancy of that setting, which I documented with my camera, in some indefinable way put me in touch with my long-hidden well of darkness. I no longer needed to photograph nighttime scenes.

For over a year, I visited five to ten estate sales every week, always with my camera. At just about every sale I saw sadness, irony, and humor, as well as a glimpse into our cultural and political history. I photographed at the sales, but also bought certain items that I brought back to my home studio. There I used different lighting and backgrounds to alter or emphasize my interpretation. My spending limit was $25. One could spend hundreds or even thousands at some sales, especially in the swank homes of wealthy neighborhoods. Starting out, I went to all kinds of houses, including luxurious ones. Later I looked primarily at middle-class or working-class homes, which reminded me of my Midwestern upbringing and where I found the most intriguing things to photograph.

©Norm Diamond, Cowboy Songs

To manage the daunting challenge of finding
what I wanted to photograph amid thousands of
mostly banal articles, I relied upon a technique I
 had learned as a radiologist. During my career, 
I sifted through hundreds of computer images
every day, glossing over each patient’s normal
anatomy subconsciously until an abnormal finding set off a conscious alarm. As an example, it might have been a minute trace of dye, seen on only one or two images, that escaped the confines of a small artery and revealed the site of a patient’s hemorrhage. When I went through the rooms in a house during a sale, I also made hundreds of yes/no decisions every minute without thinking. Almost always the answer was “no.” And then something would catch my eye—a poignant memento, a cultural knickknack that illustrated a time in our nation’s history, or an item so intimate and evocative that I knew I must photograph it.

©Norm Diamond, Empty Frame

My fascination with personal mementos goes back to a much earlier time. When our mother died almost thirty years ago, my sister and I picked out some of her possessions that meant a lot to us. Among other things, I chose a small black-and-white leather key holder, which, when unzipped, revealed old-fashioned metal key rings. For years it had sat in a small drawer in a coffee table in my parents’ house in Iowa. When they moved to New York State, I saw it in the same drawer in the same coffee table. After my mother died in that house, I took the key holder from the drawer and claimed it as my own. She had not used it since I was a child of about five or six. At the time, it held the keys to her first car, a 1953 maroon Chevy. She had just learned to drive and I was the only one in the family brave enough to be her passenger. Those car rides were special. I remember so vividly my mother talking to herself while driving, moving her lips without sound, no doubt rehashing some disturbing past experience with one of her sisters. My earliest memories of our closeness, which lasted till her death and beyond, began in that Chevy, with the black-and-white key holder dangling from the ignition.

©Norm Diamond, Everything Must Go

Cherished possessions from the past remind us of what we want to remember and keep dear to us. The process of making and keeping a memory is both an amazing and tenuous process. The scent of a certain perfume, the sound of crickets chirping, the taste of onion soup are all just electrical impulses transmitted from our senses to our brain. The brain magically catalogs them and makes them available for instant recall. As incredibly wonderful and complex as this is, studies show that memories change over time, sometimes dramatically. Because our memories fade, we can look to inanimate objects to help renew them.

That apparently insignificant items mean so much was both the challenge and the reward I found at estate sales. I certainly had no personal ties to the people who once owned these items, so I looked for things that told their stories. It might have been an object related to a person’s hobby or a gift that illustrated a family relationship. When an article touched me in a way at all reminiscent of that key holder, I photographed it.

©Norm Diamond, LBJ with Fishhooks

Preserving a meaningful possession with a picture hopefully extends its life and also the memory of its owner. The photo becomes a story about this anonymous person, often embellished with tinges of sadness and poignancy—sentiments that attracted me to estate sales in the first place, and which I avoided for so long in the past.

There is nothing like an estate sale to remind me of my own mortality and life’s brevity. Children’s toys often sit a few feet away from wheelchairs. Despite having gone to innumerable sales, this portent of what ultimately lies ahead still jars me whenever I go. I lose myself in random thoughts of the past, the choices I have made, and the dreams I never pursued. Do other buyers sense their mortality as intensely as I do at these sales? When I see them shopping for bargains with voracious single-mindedness, I wonder: Perhaps browsing and buying chases away those thoughts of death. In the end, in some form, that is what we all do.

©Norm Diamond, My Mother’s Key Holder

One day my children will have an estate sale for me. I am not sure what they will keep or what they will discard, but I hope they do not sell my mother’s key holder.

©Norm Diamond, Man of the House

©Norm Diamond, Marilyn Puzzle

©Norm Diamond, No Reception

©Norm Diamond, Off Limits

©Norm Diamond, Playboy Collection

©Norm Diamond, Sewing Table

©Norm Diamond, Stetsons and Old Spice

©Norm Diamond, Tape Measure

©Norman Diamond, Thousands Pay Homage

©Norm Diamond, Track & Transformer $25

©Norm Diamond, Twenty Years Later

©Norm Diamond, Wedding Night Negligee