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On Getting an MFA
© Sarah Stankey
Sarah Stankey, long time Lenscratch Editor and writer, recently returned to school to seek her MFA.
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The Curated Fridge at Photoville
The wonderful Yorgos Efthymiadis
If you don’t know the name Yorgos Efthymiadis, you should.
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Notes from a Curator: Midwest as America
©Ahram Park, Shadow of a Cottonwood, 2013
From time to time, Wichita Art Museum Curator Lisa Volpe contributes photographic essays to Lenscratch.
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A Single Frame: Society of Motion Pictures Still Photographers
There is a group of talented still photographers that are incredibly important to the world of moving images.
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Notes from a Curator: Photographic Posturing
William Henry Jackson on Glacier Point in Yosemite National Park and Tourists at the Grand Canyon today with selfie sticks and digital cameras.
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Jamey Stillings: It’s About the Journey: Printing The Evolution of Ivanpah Solar at Steidl
Photographer Jamey Stillings and Publisher Gerhard Steidl
Jamey Stillings’ The Evolution of Ivanpah Solar, published by Steidl
The marriage of a significant photography project (wi
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2015 in the Rear View Mirror
Wait. What just happened. How did it all go by so fast? Time seems to be morphing into a new reality.
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Our Favorite Things 2015
It’s been an exciting year at Lenscratch.
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John Chervinsky: Celebrating a Life, 1961-2015
©The wonderful John Chervinsky
Photographer, scientist, engineer, husband, and friend John Chervinsky passed away earlier this week, shifting his energies into uncharted territories and l
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Klaus Enrique: The Commissioned Portrait
©Klaus Enrique, Holiday Card for Peter and Gwen Norton
It’s a pretty rare event when a photographer gets an e-mail out of the blue from a very significant figure in the artworld, as
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Steve Engelmann: Ancient Wood
© Steve Engelmann – Ancient Wood
Hermann Hesse wrote one of the most beautiful odes to trees nearly one hundred years ago.
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Mary Pinto: Weavings, Cut Outs, After Sandy, and Home and Garden
© Mary Pinto “Blue Fern (horizontal)”, color photograms and tape, 11 x 14 inches, 2015
The hand of the artist is uniquely distinct and evident in the work of Mary Pinto.
Fine Art Photography Daily
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Matthew Finley: An Impossibly Normal Life February 22nd, 2026
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Photography Educator: Lindsay Metivier February 21st, 2026
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Femina at Gallery 169 February 20th, 2026
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Jonathan Silbert: Insights February 19th, 2026
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Olga Fried: Intangible Encounters February 18th, 2026
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Anne McDonald: Self-Portraits February 17th, 2026
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Juliette Ludeker: Somewhere You Can Never Go February 16th, 2026
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In Conversation with Louis Jay: Marrakech Face to Face February 15th, 2026
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The 2026 LOVE Exhibition February 14th, 2026
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The 2026 LOVE Exhibition, Part 2 February 14th, 2026
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The 2026 LOVE Exhibition, Part 3 February 14th, 2026
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The 2026 LOVE Exhibition, Part 4 February 14th, 2026
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Richard Koenig: Field Notes: View from a Hotel Window February 13th, 2026
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Shane Hallinan: The 2025 Salon Jane Award Winner February 12th, 2026
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Review Santa Fe: Leslee Broersma: Tracing Academia February 11th, 2026
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Review Santa Fe: Ilana Grollman: Just Know That I Love You February 10th, 2026
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Review Santa Fe: jessamyn lovell: How To Become Invisible February 9th, 2026
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Review Santa Fe: Julia Cluett: Dead Reckoning February 8th, 2026
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Review Santa Fe: Barron Bixler: And Hell Followed February 7th, 2026
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Review Santa Fe: Elizabeth Z. Pineda: Sin Nombre en Esta Tierra Sagrada February 6th, 2026
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Review Santa Fe: Patricia Howard: Unknown Ancestors February 5th, 2026
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Review Santa Fe: Lulu Hamilton: Even if Only Just For Right Now February 4th, 2026
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Review Santa Fe: Ania Moussawel: The Days Are Long February 3rd, 2026
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Review Santa Fe: Carolyn Monastra: Divergence of Birds February 2nd, 2026
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Review Santa Fe: Chandler Nelson Hubbard: They Greet Me With Goodbye February 1st, 2026
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The 2026 Lenscratch New Beginnings Exhibition January 31st, 2026
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The 2026 Lenscratch New Beginnings Exhibition (Part II) January 31st, 2026
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Yana Nosenko: Beds January 30th, 2026
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Yulia Spiridonova: Wayward Son January 29th, 2026
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Anastasia Tsayder: ARCADIA January 28th, 2026
