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David Doubilet: Two Worlds: Above and Below the Sea
©David Doubilet, from Two Worlds: Above and Below the Sea published by Phaidon.
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Film Photo Award Fall 2021 Finalists
©Daniel Chatard, No Man’s Land (05), 2018
Today we share the Student Project Finalists and the Visionary Project Finalists in the Fall 2021 Film Photo Award .
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Film Photo Award – Fall 2021 Student Project Award: Owen McCarter
©Owen McCarter, Untitled, 2021
This week, we are thrilled to present the recipients of the Film Photo Award from the Fall 2021 submission period.
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Film Photo Award – Fall 2021 Visionary Project Award: Magda Biernat
©Magda Biernat, Fathom Line #1, 2017
Over the coming days, we are thrilled to present the recipients of the Film Photo Award from the Fall 2021 submission period.
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Film Photo Award – Fall 2021 Visionary Project Award: Odette England
©Odette England, from the series Your Distance Makes Me Close To You, 2021
Over the coming days, we are thrilled to present the recipients of the Film Photo Award from the Fall 2021 submi
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Bremner Benedict: Art + Science Award – Honorable Mention
©Bremner Benedict 2021, Unnamed Spring, Moenave Road, Colorado Plateau, AZ Petroglyphs in the area suggest this was a dependable source of water for ancient peoples as well as present day
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Fred Mitchell: If You Go, All the Plants Will Die
When Fred Mitchell moved to Las Vegas, he noticed that all the plants around him seemed to be dead or dying. He was also working through the final stages of a failing relationship.
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Odette England shares Raymond Meeks’ Somersault
Raymond Meeks. Image from Somersault (MACK,2021). Courtesy the artist and MACK.
Somersault. It’s a beautiful, curious, smooth-edged word.
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Digital Mediations: Jari Poulin: Senses in Animate
©Jari Poulin, I See Seashells, Senses in Animate Project, 60″ x 37.
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The 2021 Art + Science Award
We are excited to announce the 2021 LENSCRATCH ART + SCIENCE AWARDS!
FREE to submit. Due Date October 6, 2021
Submit HERE. -
Alida Fish: The States Project: Delaware
©Alida Fish, Woman in Shadow, 2017
I’ve long admired Alida Fish’s prolific and sensitive reinvention of the photograph as both a subject and an object.
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