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ART+SCIENCE: Gerco de Ruijter
©Gerco De Ruijter, Cropped #01 (2015) / Ultrachrome print on dibond 12″x12″ edition of 5
Dutch photographer Gerco de Ruijter is a visual artist with a focus on aerial landsca
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Meg Birnbaum: Losing the Farm
©Meg Birnbaum
I first became aware of Meg Birnbaum‘s photographs in the toy camera world.
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Alissa Hessler: The States Project: Maine
©Alissa Hessler
Alissa Hessler and I met at Maine Media one summer day under the tent.
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Ken Abbott: Useful Work: Photographs of Hickory Nut Gap Farm
Ken Abbott’s photography and Hickory Nut Gap Farm is a marriage made in heaven, or about as close as we get to heaven here in the Blue Ridge Mountains in western North Carolina.
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Kendall McMinimy: Cropping to Circles
Kendall McMinimy creates pristine and complex work that could easily be mistaken for drawings or paintings and it is this abstract quality of unknowing that makes the work so interesting.
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Francesco Mastalia: Organic
Looking at recently released photography books this week…
Francesco Mastalia has a new monograph, Organic: Farmers & Chefs of the Hudson Valley published by powerHouse Books, fe -
Kathleen Robbins: In Cotton
I met Kathleen Robbins at PhotoNOLA this past December where she was being celebrated for her project, Into the Flatland, with an exhibition at the New Orleans Photo Alliance.
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Sandi Haber Fifield
I had the great pleasure of meeting Sandi Haber Fifield when she was visiting Los Angeles a few months ago.
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Matt Black
For a number of years, a good friend who is a nurse in an agricultural area in California, has shared with me her efforts to help a community of farm workers from an region in the mountains
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Jess Dugan
Jess Dugan is working hard to make her Open View Farm: A Photography Project a reality.
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Sam Comen
This week I will be featuring winners of Center’s recent competitions.
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Sarah Christianson
I attended my first regional Society for Photographic Education conference outside of Yosemite last weekend, and had the great pleasure of driving the keynote speaker, Catherine Opie, to the
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