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Focus on South Africa: Jansen van Staden
© Jansen van Staden
In this second iteration of “Focus on South Africa” I wanted to include features on photography platforms, collectives, and teaching organizations in addition to a
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Two Keys: Unspoken Stories
©Two Keys, Pulse
“This is what we storytellers do. We restore order with imagination. We instill hope again, and again, and again. Let me prove it to you.
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Excellence in Multimedia Award Winner: Ana Cristina Vallejo
©Ana Cristina Vallejo, Ruminations, from Neuromantic
Congratulations to Ana Cristina Vallejo for her win in the CENTER’s Excellence in Multimedia Award for her project, Neuromanti
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The CENTER Awards: Project Launch Grant Honorable Mention: Arista Slater-Sandoval
©Arista Slater-Sandoval, From Blighted Expectations & Still Hearts
Congratulations to Arista Slater-Sanoval for being selected for an Honorable Mention in CENTER’s Project Launc
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The CENTER Awards: Project Development Grant: Guanyu Xu
©Guanyu Xu, AK-08102008-05032021, 2021, Archival pigment print
Congratulations to Guanyu Xu for being selected for CENTER’s Project Development Grant recognizing his project, Reside
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Focus on Vernacular: Maggie Callahan: Unknowingly and Everywhere
©Maggie Callahan, Untitled#12
Some months ago, Lenscratch had a call for physically altered photographs which resulted in a wonderful exhibition, The Artist Intervenes, jurored by Adriene
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Focus on Vernacular: The Unperson Project
©The Unperson Project, Vaporized by Susana Moyaho, 2021
Most collections of vernacular photographs are archives of memory, visual reminders of the people, places, or events they depict.
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Focus on Vernacular: Greg Sand: Chronicle
©Greg Sand, Gestures, from Chronicle
To begin this week of celebrating artists using vernacular or found photographs, we need to describe this ever expanding genre.
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Christiane Feser: In Between
©Christiane Feser, Partition 144 2020 Photo Object with cut Archival Pigment Print 31.5 x 43.3 x 0.
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Poland Week: Mikołaj Grynberg: AUSCHWITZ – What Am I Doing Here?
©Mikołaj Grynberg, -In my country a great surge of hatred is rising. That’s why I came here.
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Kristiana Chan
©Kristiana Chan, Bodies of Water (2020), Seawater developed cyanotypes
Kristiana Chan’s practice materializes the ways in which our complicated, historical entanglements with the landsc
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Gina Osterloh
©Gina Osterloh, Pressing Against Looking, Movement (2019)
Gina Osterloh’s works provoke uncanny ripples in the visual languages, symbols, and cues that we often take for granted in an e




















