Fine Art Photography Daily

Photolucida: Lindsey Beal: Intimate Applicances

ballgrip

ballgrip, Intimate Appliances: The Ball-Grip, ziatype, unique edition of 4, 5”x4”, 2013 ©Lindsey Beal

Women’s sexuality is a subject that is seldom approached in a direct and uncharged way. A woman expressing sexuality is always judged differently than a man doing the same thing. After seeing the movie Hysteria several years ago, in which Hugh Dancy plays an early twentieth century doctor who is very successful at “relieving tension” in his women patients, it became clear to me that there has been a subculture of women’s pleasure for a very long time. Photographer Lindsey Beal calls attention to this history with her project Intimate Appliances.   Lindsay just closed a solo show, Transmission, at the Griffin Museum of Photography’s Griffin Gallery.  The show consisted of artist books and cyanotypes embedded in resin & Petri dishes and displayed in shadowboxes. 

Lindsey is a photo-based artist in Providence, Rhode Island. She has an M.F.A. in Photography from the University of Iowa and a Certificate in Book Arts at the University of Iowa’s Center for the Book. Her work has been shown at national museums, galleries, and universities and is included in various public & private collections. Her work combines historical & contemporary women’s lives with historical photographic processes. She is interested in the photograph as an object and often includes sculpture, papermaking and artist books into her work.

beautypatter

beautypatter, Intimate Appliances: The Electric Coronet Beauty Patter, ziatype, unique edition of 6, 5”x4”, 2013 ©Lindsey Beal

Intimate Appliances

Since the 19th century, women have used technology as a way to experience sexual pleasure. Mechanical, hydraulics, steam, and electricity have all powered the “personal massagers” that appeared in the appliance section of department stores and catalogues. Changes in technology create changes in vibrator materials, power-sources and design; vibrators reflect an era’s technology as well as its pop-culture. This is as true today as the past; current vibrators reflect the digital age. Although the appliances photographed are now antiques, they were once an example of that era’s technology.

This project would not have been possible without the generous cooperation of the Center for Sexual Pleasure and Health in Pawtucket, Rhode Island.

handcrank

handcrank, Intimate Appliances: The Hand Crank, ziatype, unique edition of 4, 5”x4”, 2013 ©Lindsey Beal

modeld

modeld, Intimate Appliances: The Model-D, ziatype, unique edition of 4, 5”x4”, 2013 ©Lindsey Beal

newlife

newlife, Intimate Appliances: The New Life, ziatype, unique edition of 4, 5”x4”, 2013 ©Lindsey Beal

niagara

niagara, Intimate Appliances: The Niagara, ziatype, unique edition of 3, 4”x5”, 2013 ©Lindsey Beal

polarcub

scientificmassagemodality, Intimate Appliances: Scientific Massage Modality, ziatype, unique edition of 5, 4”x5”, 2013 ©Lindsey Beal

rexray

polarcub, Intimate Appliances: The Polar Cub, ziatype, unique edition of 6, 4”x5”, 2013 ©Lindsey Beal

scientificmassagemodality

rexray, Intimate Appliances: The Rex-Ray, ziatype, unique edition of 4, 5”x4”, 2013 ©Lindsey Beal

superdol

superdol, Intimate Appliances: The Super-Dol, ziatype, unique edition of 3, 5”x4”, 2013 ©Lindsey Beal

unioncasebeautypatter

unioncasebeautypatter, Intimate Appliances: The Electric Coronet Beauty Patter, ziatype mounted in union case (interior with scalloped mat), half-plate, 2013 ©Lindsey Beal

unioncasenewlife

unioncasenewlife, Intimate Appliances: The New Life, ziatype mounted in union case (interior with scalloped mat), half-plate, 2013 ©Lindsey Beal

unioncaseniagara

unioncaseniagara, Intimate Appliances: The Niagara, ziatype mounted in union case, half-plate, 2013 ©Lindsey Beal

unioncasepolarcub

unioncasesmm, Intimate Appliances: The Scientific Massage Modality, ziatype mounted in union case, half-plate, 2013 ©Lindsey Beal

unioncasesmm

unioncasepolarcub, Intimate Appliances: The Polar Cub, ziatype mounted in union case (interior with scalloped mat), half-plate, 2013 ©Lindsey Beal

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