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Love’s Labors: Osamu James Nakagawa: Kai: Following the Cycle of Life
©Osamu James Nakagawa, Morning Light
Love’s Labors: Labor is often described as being of the body, and economists have spent centuries calculating formulas to explain its value. -
Focus on Croatia: Janko Belaj: Suicidal Mr. Bones
© Janko Belaj, Suicide Attack, from the Suicidal Mr. Bones, 2014
In the current black and white series, Janko Belaj shows us his Suicidal Mr. Bones project. -
Now You See Me at Foto Relevance // Tomiko Jones: Hatsubon
©Tomiko Jones, Alamere
This week, I’m honored to feature six artists who I had the privilege of curating into the group show Now You See Me at Foto Relevance, in an effort to offer a glim -
International Peace Week: Rodrigo Abd: Civil War Exhumations
Isabel Chopen Zotoi walks with flowes to adorn the houses in “El Adelanto” village, Solola, where forensic antrophologists are exhuming skeletons in a mass grave where 12 persons
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Lana Z Caplan: History Based Landscapes
©Lana Z.
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Stephen DiRado: With Dad
©StephenDiRado, Chilmark, MA, Quansoo Beach, Gene, Rose and Stephen, July 23 1994
Photographer Stephen DiRado has been chronicling his life through large format photography for many decades -
Tony Chirinos: Experiencing Death
©Tony Chirinos
Experiencing Death by Tony Chirinos was selected from our most recent call-for-submissions. I was pleased to interview Tony to gain further insight into this body of work. -
The 2019 Lange-Taylor Prize: Chinen Aimi: Finding Ryukyu
© Chinen Aimi, Collective Unconcious
The Center for Documentary Studies at Duke University recently awarded its twenty-seventh Dorothea Lange–Paul Taylor Prize to Japanese American artist -
Susan Rosenberg Jones: Widow/er
©Susan Rosenberg Jones, Carol: “I am very grateful. He was on home hospice. He did not want to be in a hospital bed and he was in our bed. I slept with him.
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Art + Science: Art of Healing: Dora Maar
©Dora Maar
Dora Maar (1907-1997) was a French artist and poet. At age 19, she attended photography school and studied alongside Henri Cartier-Bresson. -
Mexico Week: José Antonio Martínez
©José Antonio Martínez, Courtesy of the Patricia Conde Galleria, Canario , from Every Angel is Terrible
One of the pleasures of attending the FotoFest 2018 Biennial Meeting Place Reviews
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- Home
- Explore
- Features
- In Focus: The MFA Review
- Educator of the Month
- The Female Gaze
- Publisher’s Spotlight
- Exhibitions
- Photographers on Photographers
- Lenscratch Student Prize Winners
- Lenscratch Art and Science Winners
- Book Talk with Caleb Cain Marcus
- Beyond the Photograph
- On Collaboration
- Mixtapes
- Content Aware
- Articles
- Interviews
- Resources
- Submit
- Shop













