Pete Brook and Prison Photography
Pete Brook is not a photographer. He’s an intelligent voice in the blog and magazine sphere, who writes a thoughtful photography blog, Prison Photography, exploring incarceration and prison reform around the world. He also writes about photography for Wired Magazine’s Raw File, and recently interviewed Elizabeth Avedon for his new interview column “Raw Meet.
I consider Pete a friend–we connected awhile back through our blogs and I want very much to support him in his efforts to dig deeper into the cause and result of a life behind bars. “We must stop warehousing people and be creative with rehabilitation. Prisons in the US are socially and economically unsustainable. As they exist, prisons are a liability … and they are ignored. Problems also exist in other countries.” Pete makes us look at the closed-off corners of our world that we’d prefer to ignore or not address, and he is relentless in his passion for this subject.
He has created a Kickstarter campaign: Prison Photography-on-the-road-stories behind the photographs, so he can hit the highway, connect with photographers who are looking at prisoners and prisons, conduct some interviews, and bring attention to this subject. Please consider supporting him in this venture.
‘Prison Photography’ on the Road is a journalism project. I will conduct over 40 audio interviews, publish them online and make them available to the prison reform and photography communities free of charge via Creative Commons licensing. My writing during the trip will also be CC licensed. I’m doing the legwork so others can enjoy the ride and use the results.
‘Prison Photography’ on the Road is about photography. I’ll be meeting the most creative and celebrated photographers who, through their work in prisons, have shaped America’s visual culture and the debate on U.S. criminal justice.
Jenn Ackerman, award winning photographer for Trapped
Adam Amengual, commercial and documentary photographer
Victor Blue, seasoned photojournalist specialising in social and political story telling
Lloyd Degrane, commercial and documentary prisons, known for his series Prison
Amy Elkins, fine art photographer working on collaborative project with death row prisoners
Harvey Finkle, social documentary photographer
Tim Gruber, fine art and documentary photographer known for his series Served Out
Bruce Jackson, photographer and SUNY James Agee Professor of American Culture
Lou Jones, known for his death row portraits
Brenda Ann Kenneally, documentary photographer who focuses on women families and marginalised communities
Sean Kernan, documentary photographer of the series In Prison
Jon Lowenstein, NOOR member and award winning photojournalist
Deborah Luster, fine art photographer
Danny Lyon, pioneering documentary photographer
Frank McMains, photographer of multiple prison stories in Louisiana
Ara Oshagan, award winning documentary photographer known for Juvies
Mona Reeder, Dallas Morning News photojournalist, Robert F. Kennedy Award and Hillman Prize for Photojournalism winner
Joseph Rodriguez, documentary photographer, social activist, ICP instructor
Richard Ross, Guggenheim recipient and photographer
Jamel Shabazz, photographer, teacher, retired prison guard
Adam Shemper, psychotherapist and photographer
Jan Sturmann, documentary photographer
Stephen Tourlentes, professor and fine art photographer
Lori Waselchuk, documentary photographer
Max Whittaker, photojournalist and Prime Collective founder
Sye Williams,commercial photographer and gadfly
Taro Yamasaki, Pulitzer prize winner for photojournalism
‘Prison Photography’ on the Road is about prisons. I’ll be meeting some of the leading thinkers in prison arts, prison education, law and advocacy. Including, Rebecca Ginsburg of the Educational Justice Project, representatives of the Southern Poverty Law Center, folk at The Innocence Project and those working with juveniles and for re-entry programmes. I hope desperately to talk to Department of Corrections officials in some of the larger States.
‘Prison Photography’ on the Road is about education. I’ll deliver the lecture ‘American Prisons: Photography in the Era of Mass Incarceration’ to half a dozen colleges. Through the people I meet on the road, I hope to access prisons and jails to deliver the same material.
U.S. prisons are under incredible pressures from all sides. Politicians have continually used tough on crime rhetoric to win votes, but longer sentences and the correctional philosophy of “incapacitation” has bloated prisons and not reduced rates of recidivism (which in the U.S. are higher than those of other countries). Prison education budgets have been slashed and felon disenfranchisement laws often place a released prisoner in a worse position to succeed than when they went in. Some public are fearful, some are in the dark, but either way their tax dollars are at work to continue inefficient practices.
The U.S. prison population has quadrupled in the past 35 years.
Today, 1 in every 100 U.S. adults is imprisoned.
At 2.3 million individuals incarcerated, the U.S. imprisons people at a rate six times that of the next most punitive Western nation, the United Kingdom
Women have suffered proportionally the most, with a near eight-fold increase in U.S. the number of U.S. female prisoners in the past 35 years.
The U.S. prison system disproportionately punishes poor people and minority groups.
Only the current economic crisis has brought about serious scrutiny of prison spending. Moves toward more sensible and effective non-custodial sentences as well as early release for non-violent or geriatric prisoners are steps in the right direction.
San Francisco, Oakland, Salt Lake City, Denver, Minneapolis, Madison, Milwaukee, Chicago, Detroit, Buffalo, Rochester, Boston, New York, Philadelphia, Washington D.C., Charlottesville, Atlanta, Birmingham, Montgomery, Jackson, New Orleans, Houston, Austin, Dallas, Albuquerque, Santa Fe, Flagstaff, Phoenix, Los Angeles … and places in between.
Image by Sean Kernan
Funds will be used to buy gas for 8,000 miles (I’ve got a small car with good MPG) and food for 12 weeks (I am not a picky eater, nor do I have expensive tastes!), an audio recorder (I already have the microphone), three oil changes and a few road tolls.
Between now and the new year, I’ll be working diligently to connect with non-profit organisations who can benefit from using the material created. The project may last 12 weeks, but the long-tail of content will be used in perpetuity.
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
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