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Thomas Gardiner: Untitled USA (2011-2012)
I don’t know what it is about large format work (in this case and 8×10). There is another level of emotion, of light quality, of detail that makes photographs more evocative.
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Gerard Gaskin: The CDS/Honickman First Book Prize in Photography
Every two years, the Duke University Center of Documentary Studies offers the CDS/Honickman First Book Prize in Photography.
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Marieke van der Velden: A Monday in Kabul
Afghan men are good horsemen. At Gharga Lake they can rent a horse. They gallop as fast as they can along the beach, trying to outdo each other when making their horses rear.
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Dave Jordano: Early 35mm Work from Detroit 1972
The wonderful Dave Jordano has been a long time observer of Detroit, the city where he was born and traversed with a 35mm as a student, onto a 4×5, and today uses digital capture to doc
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Christine Osinski: Shoppers, Chicago, and Swimmers 1980-1996
Staten Island ©Christine Osinski
Staten Island ©Christine Osinski
When I first encountered Christine Osinski’s Staten Island work at Photo Nola last year it was love at first sig
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Louis Draper: Retrospective 1950-1990
©Louis Draper
Candela Books + Gallery in Richmond, VA recently opened the first retrospective exhibition of the mid-century African-American photographer, Louis Draper (1935-2002) that
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Bill Yates: Sweetheart Roller Skating Rink 1972-1973
Bill Yates shares a project that is 40 years old but feels just as compelling as contemporary work.
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Seth Hancock: 10 Minutes with a Stranger
Photographer Seth Hancock set out on a cross-country journey to meet and photograph random
strangers to explain why we need to get out from behind our computers
and back in each other’s fa -
Mike Spitz: Medicated for your Protection – Portraits of Mental Illness
One of the truest things a photographer can do is to capture is the world that he or she is familiar with.
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Alexa Torre: Mexican Utopia
Alexa Torre, La Mística,2013
I had the great pleasure of meeting Mexican photographer Alexa Torre at Paris Photo.
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Emer Gillespie: Picture You, Picture Me
I discovered Emer Gillespie’s terrific work when jurying Critical Mass and I was happy to see that she went to have her work recognized as on of 2013 Top 50 portfolios.
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Jessica Shyba: In the land of Nod
On Christmas Eve, when children around the world go to sleep with dreams full of what’s to come, I wanted to share some wonderful photographs by mother, writer, blogger,and photographe





















