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Chris Mottalini: After You Left/They Took It Apart
Having grown up in a neighborhood rich with mid-century architecture, I was immediately interested in Chris Mottalini’s project, After You Left/They Took It Apart, about Paul Rudolph
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Joni Sternbach: Promise Land
You may be the familiar with the wonderful work of photographer, Joni Sternbach through her tin types of the surf culture, like the one below from her SurfLand series.
SurfLand: 13.02.
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Romania Week: Bogdan Girbovan
from the series, Two Months Nowhere
by Kathleen Laraia McLaughlin
Photographer and freelance artist Bogdan Girbovan graduated from the National University of Arts in Bucharest, Phot -
Romania Week: Petrut Calinescu: Pride and Concrete
Certeze, Tara Oasului. Gheorghe and Maria Balta have 3 children, all working in France.
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Rylan Steele: Ave Maria: One Man’s Vision
For some, Florida is a promised land. Thousands of older Americans have headed south to created retirement communities to live out their days in sunshine and simplicity.
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Jan Kempenaers: Spomenik
Jan Kempenaers lives in Antwerp and works in Ghent, Belgium and is opening a solo exhibition at the Breese Little Gallery in London.
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Canteen Magazine’s Naked Judging: Learning from Rejection, Part 1
Today’s and tomorrow’s posts are not-to-be-missed in terms of learning what jurors look for when determining winners.
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Filter Photo Festival Week: Samantha VanDeman
This week, I am sharing a few of photographers that I met at the Filter Photo Festival in Chicago….
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Matthais Heiderich
On first experiencing the photographs of German photographer, Matthias Heiderich, one might think that a trip to Berlin might be necessary in order to experience the eye candy of architectu
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Robert Schlaug
Robert Schlaug lives and works near Nueremberg, Germany. He has a simple intention with his photography: to raise awareness in times of sensory overload.
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Larry Wiese
Larry Wiese has been engaged in photography for half a century, and his curiosity and desire to explore new ideas and technologies is a strong as ever.
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Loretta Ayeroff
I often think that we create work at such a fast pace, that we really don’t have time to revisit and digest the plethora of images in our photo reserves.
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