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At the Same Time
Beginning a new relationship is timid, really. It is masked by sexual tension and surges of comfort, and sometimes we forget that it is frail.
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Kari Wehrs: Keep Looking Up
Kari Wehrs’ project, Keep Looking Up, allows us to share her experience of losing family, as she examines the poignancy and emotion of those we love at the end of life.
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Andrea Eichenberger: Translitorânea
Sometimes photographers can be visual map makers, charting terrain with imagery that reflects a sense of place.
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Colleen Plumb: Towards the Sky Again
Red Chair with Needles, 1999 Sleeping Bear Dunes, 2003
Colleen Plumb is about to open an exhibition at the Dina Mitrani Gallery in Miami.
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Jonas Yip: Somewhere Between
Jonas Yip is a very important person in my life.
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Jen Kinney: CityUnder One Roof
It takes a lot to live in Alaska. I should know as my parents met there, my father working year round as a photographer for construction sites and my mother a tourist who got lucky.
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Laura Plageman: Response
Response to Print of Kudzu, Texas, 2010 © Laura Plageman
As a photographer trained in conservation and environmental science, I snickered a little (OK, maybe a lot) when I read the Wik
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Chelsea Welsh: caught in the days unraveling
Today, coming to the end of our submissions, I introduce Chelsea Welsh. Her work resides in exploration, while also finding the joy of getting lost in familiar places.
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Thomas Gardiner: Untitled USA (2011-2012)
I don’t know what it is about large format work (in this case and 8×10). There is another level of emotion, of light quality, of detail that makes photographs more evocative.
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Betsy Karel: Conjuring Paradise
My friend Honey Lazar told me I needed to see Betsy Karel’s new book, Conjuring Paradise, recently published by Radius Books. And she was right.
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Noah Wilson: Day Blind
Kachemak Bay, Alaska ©Noah Wilson
Photographer Noah Wilson’s compelling project, Day-Blind, is a reinterpretation of the natural world expressed through images that are stripped d





















