I was just having the discussion in one of my classes about how hard it is to photograph Los Angeles. I stumbled upon Guillaume Zuili’s work on Lensculture Magazine and he doesn’t seem to find it a problem. A Frenchman, he splits his time between Los Angeles and Paris. It’s as if he’s looking at the city through his memories.
“By using a crude pinhole camera but modern high speed film, he’s able to make hand-held snapshots of elegant beauty that celebrate the graininess inherent in film plus the soft, smudged focus of pinhole photography. Without the high-speed film, he would never capture this snapshot aesthetic; pinhole photography usually requires a tripod and long exposure time.
The photographs of Guillaume Zuili evoke memories of another time, another era, long gone and wistful. These dusty, chalky, charcoal-like smudges of memories could have been snatched from a re-screening of an old movie. Each feels like an iconic, dreamlike moment of random beauty.”
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
David Benjamin Sherry: American MonumentsNovember 18th, 2019
Virgil DiBiase: My husband won’t tell me his first nameNovember 7th, 2019
Jamie Tuttle: Summer PlatesOctober 28th, 2019
Ervin A. Johnson: #InHonor: MonolithsOctober 18th, 2019
Joanne Dugan: Multiples and MeditationsOctober 7th, 2019