I was just having the discussion in one of my classes about how hard it is to photograph Los Angeles. I stumbled upon Guillaume Zuili’s work on Lensculture Magazine and he doesn’t seem to find it a problem. A Frenchman, he splits his time between Los Angeles and Paris. It’s as if he’s looking at the city through his memories.
“By using a crude pinhole camera but modern high speed film, he’s able to make hand-held snapshots of elegant beauty that celebrate the graininess inherent in film plus the soft, smudged focus of pinhole photography. Without the high-speed film, he would never capture this snapshot aesthetic; pinhole photography usually requires a tripod and long exposure time.
The photographs of Guillaume Zuili evoke memories of another time, another era, long gone and wistful. These dusty, chalky, charcoal-like smudges of memories could have been snatched from a re-screening of an old movie. Each feels like an iconic, dreamlike moment of random beauty.”
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
Sara Silks: Leaving Terra Firma and NatsukashiiFebruary 12th, 2019
Ross Sonnenberg: The Big Bang PicturesJanuary 8th, 2019
Paula Riff: Shibui and Blue is not the skyDecember 28th, 2018
Meghan Duda: The States Project: North DakotaDecember 15th, 2018
Ryan Stander: The States Project: North DakotaDecember 14th, 2018