Sherif Elhage was born in St Petersbourg, raised in Beirut by his Russian-Estonian mother and Lebanese father, he now lives in Paris. He was formally trained in communications, but has explored photography from fine art to fashion and advertising.
Sherif prides himself by creating work that is captured in camera. Many of his images are graphically based, with the composition of the color and original framing as integral elements to his vision. “The photographs exposed on his site expound no literary or transcendental significance, the aesthetics of the photography limits itself to what you see.” I am featuring work from three series, Black, White, and From the Ground Up. Each address color and shape as subject matter.
The process is not difficult but it took me years to build this body of work, sometimes it does not work correctly, you need to have a loot of light and overexpose the photos with the camera settings, sometimes it’s with the aperture process and sometimes it’s about time so it happened to me to use a tripod during the daytime, it’s the same with black photos but in an inverse way, I never use the normal settings of the camera. White surfaces naturally are always more exposed than the other colours.
I use a digital camera so it’s faster to see immediately the result, but it’s not always good…what you see on the small lcd screen is very different from what you get on your computer screen or on a print, so sometimes i have to go back to do the same photo with better settings and conditions.
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
Marsha Guggenheim: Without A MapSeptember 23rd, 2022
Ella Morton: The Dissolving LandscapeSeptember 22nd, 2022
Elizabeth Opalenik: MordançageSeptember 21st, 2022
Vincenzo Caniparoli: Diary Of A Dying StarSeptember 20th, 2022
Debora Francis: I Fade Away Like a Lengthening ShadowSeptember 19th, 2022