Alyssa Miserendino: Our World Insideout
I’ve been to properties with notices posted since 1998, walked though gates with layers of cobwebs, & entered abandoned homes experiencing what is left behind – the day a family & children were evicted, the day the owners ran out of funds to complete construction, the day the owner died & the family neglected to clear the home of the deceased’s belongings. I’ve captured images of a home 15 years forgotten & now surrounded by mansions; held my breath in a house that is a historical site, splattered with feces; & opened a never-ending sea of unlocked doors. However, I have also witnessed what others have built with their own hands, resourced from other people’s garbage. I’ve met people & listened to their stories about how they ended up taking over an abandoned home; picked up a nomad with her fishing pole to visit her train station house & met a woman who built her home around the base of a tree, from found objects.
What you see here is Chicago from 2009 and Chicago from 2012. Each Diptych has their own story, like each one of us. Here is where another nature is being formed, and hopefully a dialogue for acknowledgements and change – a chance to grow in this world.
Insideout is one word–There is no delineation between what happens being closed doors, and what is communicated to the outside world.
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
Mark Kitsawaeng: Forgotten SpaceSeptember 20th, 2023
Christine Back: PV RevisitedSeptember 19th, 2023
Virginia Villacisla: Presencio & The Rural KidsSeptember 18th, 2023
Atomic Reactions: Paul Shambroom, Ben Huff, Brett Leigh DicksSeptember 15th, 2023
Atomic Reactions: Barbara Diener, The Rocket’s Red GlareSeptember 14th, 2023