British photographer, Michael Jackson, now makes his home in Wales and has been working on a single project, Poppit Sands, since 2007. This ongoing project based on a single beach in Wales – studying the beach from above at dusk – uses a single camera, a single lens and similar tides.
I went there one evening at dusk when the tide was going out. I took some shots and when I developed the film one really stood out for me, because it had a type of light I hadn’t been able to capture before and there was a real silkiness to the blacks and the darks. I’ve always enjoyed looking at pictures of the moon and it just triggered with me when I first saw the images that they had a very similar look. This excited me so I ran with it, exploring the area further and further trying to capture the kind of image I had in mind.
For three consecutive years (2008, 2009 & 2010) his work has been selected for the Finals in the prestigious Hasselblad Masters Award, Sweden. His work has been published and exhibited worldwide.
I am inspired by images of lunar landings and moonscapes, so I had those in mind when I was photographing the beach. At first the images were too sharp, they were capturing all the detail of the sand, which gave it a grainy look that I found distracting, but then I used hyperfocal focusing, which meant the picture was ever so slightly out of focus. This blurred the grains of sand enough to make them look smooth rather than gritty.
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
Charlotta Hauksdottir: A Sense of Place: Imprints of IcelandJanuary 17th, 2020
Janet Pritchard: More than a River: the Connecticut River WatershedJanuary 10th, 2020
Dana Fritz: Views RemovedJanuary 8th, 2020
Maria Isabel LeBlanc: De La LuzDecember 12th, 2019
Aaron Rothman: Signal NoiseDecember 10th, 2019