David Lykes Keenan: Fair Witness and Look At Me
David Lykes Keenan is a New Yorker. Though he currently lives in Austin, he hasn’t lost his NYC roots, his draw to the man on the street, and creating visual relationships with people he doesn’t know. He attended Michigan State University and graduated as a computer engineer. After a career as a software designer, he is focused on his photography full time. While living in Austin, Texas, he founded Austin Center for Photography and spent four years building and guiding it through a successful launch.
David creates photography books of both his own work and of the work of others. FAIR WITNESS is a monograph of his street photography, and IN THE GUTTER is a small look at the art of the book. Currently, he is finishing his project, LOOK AT ME, a highly personal exploration of desire and regret. I am featuring selections from Fair Witness and Look at Me, both series are about gaze, the latter a more personal exploration of the self, reflected in the faces of others. David will have an exhibition of Fair Witness at Umbrella Arts in New York City in September.
Each of the photographs in FAIR WITNESS occurred in my path, unplanned, and would have evaporated within seconds, if I had not been ready with my camera. In this way, FAIR WITNESS has captured moments of quiet and profound symbolism. Essentially I have been a Symbolist with a camera. There are very few artists who create genres. Picasso and El Greco did. The vast majority of artists, even those who have a unique vision, work within an existing genre which for photographers and artists alike is their chosen visual language. The genre through which I ‘see’ is street photography.
But in reality, as each face disappears into the next, the young men diverge radically with each broadcasting their own urgency, immediacy, and place within the universe. The young men are chosen for a boyish look and a projection of openness and vulnerability. While this is a true collaboration of subject and photographer, it is also a personal journey. With each portrait, I absorb their youthfulness and explore aging, identity, lost opportunity, and an obsession with beauty and artlessness. And thus, LOOK At Me reflects my own longing and becomes a diary of intoxication.
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
Sara Bennett: LOOKING INSIDE: Portraits of Women Serving Life SentencesJanuary 14th, 2020
Sirli Raitma: EHADecember 30th, 2019
Cristina Fontsaré: A Crack in the MirrorDecember 20th, 2019
Sandro Miller: I am Papua New GuineaOctober 17th, 2019
Joe Wallace: Beginning at the End: Portraits of DementiaOctober 9th, 2019