DB Waltrip: Of Mud and Men
In 2014, Alexa Dilworth and I had the good fortune to juror the festival exhibition for Slow Exposures. The experience of spending time in small town Georgia with Southern photographers was profound and I made many meaningful connections at the event. One of the images that Alexa and I selected for the exhibition was of two boys covered in red mud on a Southern road. I was thrilled to finally get to meet the photographer, db Waltrip, at the opening, as I had been following her insightful work on family over the years. Coming full circle, db ‘s project, Of Mud and Men, was the 2016 Paul Conlan Prize Winner, which results in a solo exhibition to be presented at the 2017 Slow Exposures festival, opening September 15th. This honor follows in the footsteps of Eliot Dudik, McNair Evans, Ashley Krauschinger, and Preston Gannaway.
As part of this installation, db will include recordings of her son’s voices & story-games, objects to support the idea of play, and an artist’s book, made out of cereal boxes which includes photographs, text from conversations heard over the years, and pages from vintage children’s books that are sewn, glued, stapled & taped together.
She has been documenting her personal journey of Motherhood for the past 15 years. Her work has been exhibited in competitions, galleries, journals, blogs and magazines across the country including SlowExposures, South x Southeast Photo Magazine and Gallery, Soho Photo Gallery, A. Smith Gallery, Santa Fe Photographic Workshops, Center for Fine Art Photography, Photosynthesis Gallery, Lightbox Photographic Gallery, Elizabeth Avedon’s blog, Lenscratch blog, Le Journal de la Photographie, and she was a Photolucida: Critical Mass finalist. She is an active member of Shootapalooza and a founding member of World Cyanotype Day. She writes for South X Southeast photomagazine and teaches occasional workshops.
Of Mud and Men
Of Mud & Men is an ongoing documentation of my boys and the lives they lead in the rural South. I am interested in what it means to be rural, white, southern, male and Christian in a culture that values none of the above. I look for specific, yet universal Boy-Moments; the relationships they build, the messes they make, the games they play, the ways they grow, the stillness, the chaos, and the ways they move through the spaces they occupy. This project is a celebration of the strength and creativity, and the victories and failures that come as a result of boys being free to be boys. – db Waltrip
wt – “Hey Momma, sausage is kinda like cologne to me. You know how Daddy sometimes doesn’t like cologne? Well, sometimes I don’t like sausage.”
wt: “hey momma, i think it was a miracle when moses went up to mount rushmore.”
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
Jeremy Dennis: Finalist in the 2019 Aftermath GrantJanuary 18th, 2019
Marko Drobnjakovic: Finalist in the 2019 Aftermath GrantJanuary 17th, 2019
Valery Melnikov: Finalist in the 2019 Aftermath GrantJanuary 16th, 2019
Fatemeh Behboudi: Finalist in the 2019 Aftermath GrantJanuary 15th, 2019
Glenna Gordon: Winner of the 2019 Aftermath GrantJanuary 14th, 2019