Chicago photographer, Sarah Hadley, has packed her suitcases and moved to Los Angeles, and the left coast is lucky to have her. Sarah works both as a fine art and editorial photographer, and manages to have a piled-high plate of awards, grants, and exhibitions. Much of Sarah’s fine art work has a reference to dreams, whether it be imagery of the space where we dream the most in Unconscious Terrain, or dreamy interpretations of places around the world.
I think every photographer talks about the magic of seeing that first image appear in a tray of developer and of being hooked for life. I believe a good photograph asks more questions than it answers, and my photography is a way for me to constantly challenge myself to really look at the world around me.
There is something intangible about the best photographs, something that reminds us of the moment between wake and sleep, and of the beauty that we see and feel but cannot describe, and of our own mortality. These are the kinds of images I try to make.
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
Dorothée Nowak: Tell me her storyJune 7th, 2018
Steven D. Foster: The Space BetweenApril 21st, 2018
Christine Holtz and Lauren S. Zadikow: 50 Greenspace DumpsitesApril 13th, 2018
Marion Belanger: The States Project: ConnecticutMarch 28th, 2018