Who was kidding? Here’s my truth. It sounds anti-intellectual but, I don’t think about what I want. I just shoot anything that looks right to me. I think all my pictures kind of look the same, but so did all of August Sanders. Its that easy and that simple. I only shoot stuff that looks right to me. I do wear glasses. I’m always in sunglasses during the day because the sun bothers my eyes and yes, they are prescription. I have like 8 pairs of Persols. I don’t care about stuff that much, but if I like something I get more then is required.

Do you have advice for emerging photographers, since you write a column under the same name for PDN?

Yes, of course! I’ve said it before and I’ll say it here because I believe it. Take your work seriously, but not yourself. Have fun with it and don’t worry about being in shows, making books or selling your work. Just focus on taking pictures that please and satisfy you. If, let’s say after 10 or 15 years you have enough good stuff to make a book or have a show that’s fantastic. But at the end of the day if you’re gonna commit your life to doing this, you better be taking the photos that make you happy.

©David Carol

State three positive and three negative things about today’s current photographic landscape.

Positives:
1) Social Media
2) Digital
3) Affordable

Negatives: Yep, the same three.

I’m not being snarky (never used that word before in my life) but I think its true. The best and worst of photography today is that it’s cheap, it’s easy and you can get exposure without earning it.

So obviously you are not relaxing now that you have photographs in the permanent collections many stellar museums, including The International Center of Photography, The Museum of Fine Art in Houston and the National Gallery and seem to know every gallerist, editor and curator on the planet. What are your goals now that you’ve reached the Everest of the photo world?

OK, so here’s the deal on that. Some of the museums have photos some have books, some have both. I don’t really save records of where my stuff is. I do know that The Museum of Fine Arts in Houston has the largest collection of my work thanks to Anne W. Tucker. Here’s the weird part. I know I shouldn’t say this, but it doesn’t matter to me anymore. It did at one time. I wanted my work in museums, I really wanted that so I could say I was in museums. I thought it would impress people and it did. Now, its just part of a resume. Although there are museums I still want to be in. For example, The Museum of the City of New York. That seems so cool to me. I guess because I’m from New York. I now have work going into their collection thanks to Sean Corcoran. There are a few others I would like to be in, but, I dunno…It all seem so unreal. My only photographic goals these days are to keep taking pictures that I like. Sound so lame, but its nice to actually feel that way and not just be saying it because I think I should.

You seem like the quintessential New York photographer, where the press of humanity is a big part of your image making, but you are an on-the-road kind of guy too…is there something you don’t photograph?

I don’t photograph homeless people or people that can’t defend or protect themselves. I genuinely feel its exploitative and it doesn’t interest me to do or see. Pick on people your own size…

I’m going to meet up with you in Santa Fe this Saturday at Photo-eye Books (3pm – 6pm) for your book signing…which of your three books will you be signing? Any new publications swimming around that bandanna wrapped head?

I’ll sign anything they put in front of me! I don’t have a bandanna except on Halloween. I’m always a pirate. All I need is a gold earring, a bandanna and an eye patch. Arrrrrrrrrrrr!

Actually, there is something I learned a long time ago from two photographers. When I was in my early 20s I started collecting photo books. I just love books, still do and I actually think its the best way to look at photographs. Anyway, I went to a book signing with Bruce Davidson. I was a young kid and all excited to have him sign my books. I waited on line and when it was my turn I handed him 4 or 5 of his books, all first editions. He looked at me a said, “If I sign these for you they will become much more valuable. So, I’m not going to do it. Why should I give you money?” What a jerk! The guy running the signing knew me and asked Bruce to do it as a favor to him. So Davidson did it but first asked me my name. As he signed them he explained that if he signed the books to me personally then they wouldn’t be worth as much. What a dick. Photographer number two was Irving Penn. I contacted his studio and asked if he would sign my books, again all first editions of his best books. They invited me up, he signed everything and couldn’t have been more of a gentleman, a total class act. Now listen, I’m not comparing myself to either one of these legendary photographers, but I sure as hell will never act like Bruce Davidson. Ill sign anything that anyone has whether or not they bought it from me or not. I want everything in my life to be fun and positive.

If you were to have dinner with 3 photographers, living or dead, and one celebrity, living or dead, what would you order?

Who is paying? Well, either way I’m ordering whatever their serving at Sukiyabashi Jiro, because that’s where we are eating!

Then I’m definitely joining you…and you are paying. You can afford it, you have a day job!

What scares you?

Photographically, not caring anymore i think…I dunno, nothing really. God, that was a total bullshit answer. Oh, heights. I’m afraid of heights.

And finally, what would be your perfect day?

Is it weird that Ive been trying to come up with something special and I can’t? I don’t really need much more than I already have. That can’t be right… OK. Me and everybody I like at a private resort in Italy with copious amounts of food and everybody gets their own feather!!!